Canon c300 mark 21/23/2024 The XC10 is a bit of a controversial camera and I think it has been dismissed by many but for me, the most important thing is that this camera produces a great 4K image. We also used an XC10 and the DJI Inspire One. Best of all, the images are beautiful and it’s very easy to use. It turned out to be a perfect complement to our small production crew for a variety of reasons. The camera has a ton of impressive tech under the hood and is a major advancement over the original C300. I do have a long history with Canon and we had access to the C300 MK II. He put his heart and soul into the build. It was important to tell Ryan’s story and dig into his motivations for building his new car. I knew David and his crew would deliver beautiful footage but we needed more than that and story became a primary driver. We captured amazing visuals but not much of a story and the film suffered as a result. Earlier this year, we shot a piece with a 2015 Stingray convertible Corvette. This was the second automotive project that Benjamin and I tackled in 2015. Jon came to me after we shot Late Shift and said, “I’ve got another project, but this time it may be a bit more challenging.”ĭirector Jon Carr, DP David Weldon, Ryan of Rywire He has built his career as a Director working on Documentaries and Commercials, as well as taking the next step into Narratives (where Jon and I collaborated on another project, a short film Late Shift that will be out soon). Jon worked on Vincent’s Canon C300 release of Mobius, which is perfect for what we are about to share in this article. Like me, Jon’s introduction to Los Angeles came on a permanent basis a few years ago while working for Vincent Laforet. One of those network connections has been working with Director Jon Carr ( who has also become a great friend. Moving to Los Angeles has increased my personal education in filmmaking, as well as my filmmaking network. This blog comes from one of our Hurlbut Visuals superstars, David Weldon, back in 2014 about the Canon C300 MkII and it’s role in Narrative Documentary Filmmaking.īy my time working for Shane Hurlbut, ASC as his Creative Director, I have had a lot of opportunities to be a sponge soaking up as much knowledge as I can from him and have my own career outside of Hurlbut Visuals begin to expand and grow.
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